|
|
the sound of CRY - crew
|
|
Director / Associate producer: Michael Mier Heralding form Cairns, Australia, Michael was attracted to film making through his endeavours in painting and music. Since graduating the Griffith University film school Michael has immersed himself in the film and television industry. For over 5 years Michael has worked on Australian and international features, US television series, and major national and international TVC’s. Michael has had the opportunity to experience a diverse array of the film making palette both technically and emotionally. While continuing to experiment with a hands on approach to the disciplines of cinematography, sound design and editing Michael has begun to forge a distinct visual style. It is however the exploration of story and the complexities of character that Michael relishes most. This is evident in his work with actors of various ages, particularly children. As Michael’s portfolio continues to strengthen accomplishments to date include screenings at St Kilda Film fest 08, Byron bay international Film fest 08 and Australian screenings (An Axe, Knives and Videotape 2005) a QNFA finalist ( The Malaise Cocoon 2004) several internationally screened music clips and documentary/experimental work in the areas of drug psychosis (QLD mental health) and Indigenous law.
Recent credits: Abandonment Principle, SF, 35mm, Director / Writer Icarus, VC, HD Cam, Director The Sound of CRY, SF 35mm, 2007, Director The Difference in Shadow, SF 16mm, 2007, Director / Writer An Axe Knives and Videotape, SF, 2006, Director The Malaise Cocoon, SF, 2005, Director
|
||
![]()
|
|
Producer: Lav Bodnaruk Born and raised in Europe, Lav worked hard to combine the two worlds of cinema through his studies at the film school collage (Griffith University) in Brisbane Australia, developing a strong and unique style of film making. As a graduate he started a production company, Lav Productions, which enabled him to bring a number of projects to the screen, producing numerous short films (16mm and 35mm) most of which he had directed himself, some which he also shot. Through his company, Lav has been trying to realise his low budget feature film screenplay “Translation” with interests from AFI winners attached to the project. He had produced and directed a 5 minute teaser for “Translation”, on 35mm film and is currently looking for a feature film producer to collaborate with. Lav recently won 2008 Best Young Australian Filmmaker Award. Recent credits: Affair, SF 35mm, 2008, Director/Writer/Producer The Other Woman, SF 16mm, 2007, Producer The Sound of CRY, SF 35mm, 2007, Producer The Difference in Shadow, SF 16mm, 2007, Producer The Pain of the Macho, SF 35mm, 2007, Producer/Director Almost Aussie, SF 16mm, 2007, Producer/Director Translation, T 35mm, 2006, Producer/Director |
|
![]() |
Writer: Manawa Ilingworth Manawa is a New Zealander living and working in Far North Queensland. Developed as part of QPIX Initiatives 2007, “The Sound of CRY” is his debut short film.
|
||
![]()
|
Maori cultural script advisor: Maatakiri Te Ruki
Ko Taranaki
te maunga
|
||
![]() |
On-set cultural advisors: KUIA - Nanny Lorrie Fakaosilea KAUMATUA-Mokopuna Rapaere Karu Kamira |
||
![]() |
Director of Photography: Aron Leong | ||
![]() |
Production Manager: Terri Rablin | ||
|
|
Script editor: Wynn Te Kani |
||
![]() |
1st Assistant director: Alana Jessop | ||
![]() |
2nd Assistant director: Jai Hogg | ||
![]() |
3rd Assistant director: Amy Bostock | ||
![]() |
Key Grip: Sean Aston | ||
![]() |
Focus puller: Matt Floyd | ||
![]() |
Clapper / Loader: Tristan Viney | ||
| Additional Loader: Luke Barlow | |||
| Gaffer: Luc Cartillier | |||
![]() |
Best boy: Rich Wang | ||
| Sound recorder: Eric James | |||
| Boom operator: Allison Reeves | |||
| Sound Design: Melanie Gill | |||
![]()
|
Post Sound advisor: David Mackie | ||
![]() |
Continuity: Carmel Leonard | ||
| Production Designer: Simon Gill | |||
|
|
Costume Coordinator: Anekie Debrincat | ||
![]() |
Key Make-up Artist / Hair: Jemma Sale | ||
| Funeral Advisor: Ashley and Katrina Bergh | |||
![]() |
Stills: Roddy McKinnon | ||
| Prosthetic designer/supervisor: Shay Lawrence | |||
![]() |
Assistant FX Make-up Artist: Heidi Luchterhand | ||
| Action vehicle: John MacDonald | |||
| Animal handlers: Nick Salbosz and Amanda Reibelt | |||
| Unit manager: Wiremu Bill Greaves | |||
| Catering: Hoeroa Robert Marumaru & Wiremy Bill Greaves | |||
| EPK: Ben Outerbridge | |||
| Editor: Joe Lancaster | |||
![]() |
Visual FX: Antony Haberl | ||
| Post Production tech advisor: James Stafford | |||
| QPIX: Kathryn Westbrook | |||
| Supervising producer: Della Churchill | |||
| Supervising writer: Robert Taylor | |||
| Colourist: Scott Harris | |||